Shot on film: Kodak Ektachrome 100 | Fujifilm GA645Wi | Fujinon Super EBC 45/4
What better way to Lunar New Year than to use slide film?
Tag: Color
Shot on film: Kodak Ektachrome EPT 160T | Plaubel Makina 67 | Nikkor 80/2.8
I’ve always liked the Sandy Hut sign, and I’m finally out here at night. I quickly loaded my camera with Tungsten film, which is not something I have with me all the time, and started
Shot on film: Lomography Color 800 | Fujifilm GA645Wi | Super EBC 45/4
The biggest weakness of the fully automatic Fuji GA645 is the loading system. For some reason, it works terribly with Lomography film, possibly because the backing paper is shiny and less grippy. However, Eric Woods
Film on shot: Lomography Color 800 | Plaubel Makina 67 | Nikkor 80/2.8
How is this a trilogy if Kodak and Fuji 64T films were the only comparison? Well, the night was young after the PDX Film League photowalk. (The sun sets at 4 pm in December!) So,
Shot on film: Kodak Ektachrome 64T | Plaubel Makina 67 | Nikkor 80/2.8
Portland is full of fun and free events year-round. One of these is the annual Peacock Lane Christmas Street lights. I dug out some expired tungsten-based slide film, and brought them to shoot with the
Shot on film: Fujifilm RTPii | Plaubel Makina 67 | Nikkor 80/2.8
Portland is full of fun and free events year-round. One of these is the annual Peacock Lane Christmas Street lights. I dug out some expired tungsten-based slide films, and brought them to shoot with the
Shot on film: Lomography Redscale | Horizon Perfekt | KMZ Industar 28/2.8
We have a few days of fog. Most people hate fog. I hate fog, especially when I need to drive somewhere. But there were no plans today except to shoot some redscale in this foggy